Tallit

This year, even though I was on a deadline making the High Holidays Torah mantles for my shul and busy coordinating some HH details and writing a little talk, I made a new tallit. It was compulsive. I gave myself a reasonable excuse: my original tallit, made from a piece of woven fabric a friend brought me after she visited her sister in Kenya, is one of the big shawl-type tallitot. Rosh Hashanah was sure to be hot, so clearly I needed a smaller tallit to help me deal with the heat.

I had an idea for what I wanted. I'm a sucker for night sky imagery, so it was going to have stars and the moon. I wanted it to be a little on the Starry Night side of things. I was going to combine sewing, painting, and printing, and it needed to be done with only the fabric I had on hand since there really wasn't time for a fabric expedition.

I gathered some fabric, carved one more swirly block to add to my collection, and got going. I stitched stuff together, added background color, and painted in the stars and the moon.

 Then I printed swirls over everything.

After that I added the atarah (neckband) and pinot (corner pieces).

The verse on the atarah is from the psalms. I'm still torn on whether it should be in English or in Hebrew. Since it so directly relates to the pattern and painting, I wanted people to be able to understand it. At the same time, I love Hebrew, and I feel like it always loses something in translation. I guess I could've put both on it, but for now, it'll stay English.

The last step was to tie the tzitzit. The corner pieces are hard to see here, but they're printed with a compass symbol because your tzitzit are supposed to help keep you from going astray.

It was all finished up in time for services, and it was a fun project. I'd love to make more, but I want them to be made intentionally and with a collaborative process so that they fit together well and really suit people. Tallitot like this one need to add to your experience of prayer. They make it special, remind you of what you're doing, and give you something to fiddle with and focus on if your mind starts to wander off (tzitzit are great for fiddling with. I swear, between those and the motions folks use when davening, Judaism really sets you up with good outlets to expend any extra energy and redirect your mind and body to the task at hand).

Torah Cover I

This is my first ever Torah mantle. I designed it specifically for my congregation here in West Philly. The background is an abstracted view of a West Philadelphia row house to locate the image firmly in our community. The tree is a reference to the Tree of Life imagery, as the Torah is a tree of life for those who cling to it. I spelled out tree of life in Hebrew in the branches. It's pretty colorful and a lot more fun than the traditional mass-produced blue velvet ones with the gold embroidery. Because it's seen at so many services, it needs to be complicated enough to not get boring. I think I managed to achieve that!

And here it is on the actual Torah scroll:

Prints

I taught myself print-making this year. I carve linoleum blocks and print them entirely by hand, no press. I've recently started printing on fabric as well, but first I'll share some of the more traditional ink-on-paper prints that I've made.

I love both the process of carving out the blocks (and all of the mirror-writing it requires) and the ease of production. It would be quicker with a press, but even with my low-tech facilities, it's a whole lot quicker than quilting.

once upon a time

I've decided that I need a place to keep track of some of the things I make, and how better to start it off than with some throwback stuff. So to start with, a speed quilt, made start-to-finish in less than a week.

I pieced it by machine and quilted it by hand, then sent it off to a new home.

Here's a bag that I made at around the same time. I was just playing around, but I like how it turned out.

And last but not least, way, way back. I made these dresses for some friends for prom when I had a little business designing and making clothes. I designed the blue one after a vintage gown I'd seen. The red one is from a commercial pattern. The black and ivory was entirely my own creation.